Now plays a living mix on its own — hits, slams, swells and dramatic silences. Mouse height shapes tone (airy up high, warm and heavy down low) and never reverses time. The core is fused into the body.
Much busier signal: constant ticks, drum hits with decay tails, and big slams streaming through. Mirrored top/bottom, edge-and-core particle density, and a zero-line through quiet passages — proper DAW waveform.
Same motion, new wardrobe: hundreds of hairline bars, desaturated cinematic gradient, soft bloom and haze, LED-ghost peaks, film grain, vignette and a polished-floor reflection. Mastering suite, not Winamp.
Identical look, rebuilt engine — spatial grid, sleeping particles, batched colours and an adaptive quality guard. The frame-rate dip when the cursor first hits the logo is gone.